Iraqi oudist Rahim Alhaj, who now lives in the US, plays a taqsim (improvisation) in Maqam Kurd. It's from his new album, When the Soul is Settled. (Click on the link for more clips and info.) Percussion: Souhail Kaspar
Norwegian percussionist Terje Isungset is pioneering a new genre of music, using instruments made of ice. Yes, that's right. ice. So far there are winds, an ice trumpet, and an ice harp to go with the ice percussion. The tonalities of the instruments are unique and very haunting.
Believe it or not, beachwear isn't the only popular form of dress (or is that undress?) in Brazil. Hang onto your chapéu de vaqueiro and kick up your heels to music by Helena Meirelles. She was one of the undisputed masters of the viola caipira. Its twangy, slightly metallic sound is loud and clear on this cut, Flor de Jasmin.
Back in the early 70s, I was out shopping and came across a record cover that featured the image on the left. I grabbed the LP, took it home and promptly fell for the sound of Osibisa. Here's a cut from that album - Ayiko Bia. I think you'll find the blend of highlife, jazz, funk and rock to be well-nigh irresistible.
Sivuca died yesterday - his beautiful compositions and work on sanfona and acordeon will be greatly missed. I've chosen to feature a cut from one of his best albums, Enfim Solo (Kuarup Discos). It's called Forró Praieiro
I'm reading Sandra Cisneros' novel Caramelo, and am enjoying her judicious and expressive quotes from Mexican popular song lyrics. Lila Downs' version of a Mexican classic, Naila, seemed like the right thing to post this evening.
Today I'm featuring something that might seem a little odd to fellow Westerners: a melodic percussion work, played by Iranian drummers Djamchid and Keyvan Chemirani. Iranian classical music is closely related to the rhythmic patterns of spoken language, and I think you can easily hear the "conversation" that the Chemiranis are engaged in, though you might need to listen several times through to get the full effect. Their instrument of choice is the zarb (aka tombak).
Malian singer/guitarist Boubacar Traore singing one of his early hits, Mali Twist - and looking very natty in denim. (From the soundtrack to Je chanterai pour toi.)
A Canadian cold front hit us today, bringing icy winds - what better time to kick back and dream of being on the beach in Brazil? Today's song, Tarde em Itapoã, is all about the pleasures of salt, sun, and South. (Voz e violão: Toquinho.)
Even though I try to avoid thinking about it, it is wintertime now. So, something seasonal, from Duo EN. The title: Winter Cranes. (It's also the title track from their brand-new CD...)
Highlife is one of my favorite West African styles, and it's perfect for the end of the work week. (Celebratory and all that.) Here's the Apolos Rythm Orchestra, performing Cut Your Coat According to Your Size
Jacob Pick Bittencourt, aka Jacob do Bandolim, was one of 20th-century Brazil's greatest composers, as well as a crack bandolim player. Here's one of his most famous pieces, Assanhado, played by Trio Madeira Brasil and percussionist Beto Cazes.
Violence rages in Sudan. For those caught up in it, I offer this song by Abdel Gadir Salim. It's called Maqtool Hawaki Ya Kordofan, and tells of his love for the land and its people.
Trumpeter Ignace de Souza led the Black Santiagos, one of the most important bands on Ghana's 1960s highlife scene. De Souza's relaxed style and affinity for Cuban music make his music a standout. Here's one of his hits, Augustina.
It seems like a perfect evening for a jazz nocturne - what could be better than Billy Strayhorn'sChelsea Bridge, with Ben Webster's tenor sax solos and the haunting trombone line?
Italian guitarist Simone Guiducci is a real favorite of mine. His interweaving of Italian folk music and jazz makes for performances that are both lyrical and gutsy. This cut, Gramelot in 6/8, is a case in point.
Moody, melancholy, Romantic (note the capital R) music from Polish trumpeter Tomasz Stanko's album From the Green Hill. It's perfect for a November night. (I'm featuring the title track here.)
New Orleans singer/guitarist Snooks Eaglin was sometimes billed as "Little Ray Charles," but this track shows another, hidden side of his work - his mastery of acoustic blues.
Algerian singer Bachir Sahraoui celebrates the women of Oran in Kehlet Laayan Bent Ouahren (L'oranaise aux yeux noirs). The raspy-sounding flute is called a gasbah.
Gal Costa singing a famously cheeky satirical song by Jackson do Pandeiro (in photo), who poked fun at "Tio Sam," wanting to see him dance and play samba on Copacabana beach. It's called Chiclete com banana.
Cleoma Falcon was a pioneer - the first person to record a song in Cajun French. I fell hard for this cut, Blues Negres - the raw, rough sound is part of the charm here, I think.
Last month I posted a track written by Trinidadian composer/pianist Lionel Belasco. His music was a real find for me, and worth featuring again. The cut is a Jamaican mento song, Sly Mongoose. (And no, it's not a calypso!)
* Many thanks to Mike at Mento Music for his diligence, humo[u]r and love for the music
Today's track comes from eastern Sudan. It's a rare example of the traditional music of the Beja people, who live along the coast (running from southern Egypt to northern Eritrea). Here's singer/'udist Musa Adem performing Yahmoit.
Highlife music from Ghana - an infectious combination of jazz, Cuban and - here - Haitian influences. The song: Kae Ma, performed by the High Class Diamonds.
Soth African township jive keeps on evolving - and one of my favorite contemporary singers, Busi Mhlongo, does it as well as anyone and better than most. Here's an original song by her, We Baba Omncane. The title translates as "if you don't obey your parents..." Hats off to Busi for being so "conscious," and for sounding so great while doing it.
This is one of my favorite Arabic pieces, played by Mimi Spencer (qanun) and Mary Ellen Donald (Arabic tabla). Mimi was an all-around nice person, and one of the best qanun players in the US - her improvisation here is breathtaking.
The piece is Longa Riyadh, by Egyptian composer Riyadh al-Sunbati. You can find it on In Xiniang Time
One of my favorite sambas celebrates the pleasures of the beach and nightlife in Rio's Copacabana neighborhood. It's called Sábado em Copacabana, and was written by the great Dorival Caymmi.
I'm a sucker for Cuban standards - there's a certain intensity to them them that's found nowhere else. Here's a nice version of Lagrimas Negras by Trio Lissabet. This cut came from an old Cook Records LP, and is part of the Smithsonian Folkways catalog.
I discovered gamelan music via a brief bio. of Claude Debussy. He heard a gamelan at the 1889 Paris Exposition, and the experience changed his music forever.
Today, I'm featuring Balinese composer/drummer Wayan Lotring and his ensemble, performing Gambangan. It's from an Ocora set titled Hommage à Wayan Lotring - hard to find, but well worth hunting down.
One of my favorite genres of Brazilian music is a well-kept secret. It's called choro - a Rio-born, Rio-based instrumental style that combines beautiful melody lines with African-derived rhythms.
The first time I heard a choro recording, I had no idea what to make of it - it was completely unlike any Brazilian music I'd ever heard. Thanks to a few in-the-know friends (with great record collections), my confusion turned into a passionate love of the music.
Here's Brazilian flutist Alexandre Maionese playing a choro by one of the style's earliest masters, Joaquim Callado. (That's his portrait above.) The piece is called Flor Amorosa.