Tanzania was something of a guitarist's paradise during the 50s and 60s. The styles and sound are little-known outside East Africa, but I'm hoping that will change. Once you hear this cut by Kiko Kids Jazz, you'll be with me. The title: Sili Sishibi
NYC-based performance collective Balkan Beat Box blends more styles than I've got room to list, and does it superbly. Here's a cut from their upcoming CD (in photo). The title: Joro Boro
Ghana's industrious truck drivers make music with car and truck horns, tire pumps and metal brake drums. Today's cut is by the La Drivers Union Por Por Group. The title: Trotro Tour of Ghana
More info. here (includes performance video and audio samples).
The Wind, by Kayhan Kalhor and Erdal Erzincan, is one long, seamless improvisation. Excerpts can't really do justice to their playing, but I'd like to offer Part I and Part II, in hopes that you'll seek out the rest.
The Fisk Jubilee Singers were pioneers of black American culture. Formed in 1871, their many world and US tours enabled people to see and hear the beauty of spirituals (and other kinds of songs). It's no exaggeration to say that they changed the way music was heard - and understood.
Song: Roll, Jordan, Roll
* The official site of the Fisk Jubilee Singers (includes tour schedules and more).
I love the complex, looping sound of Daniel Humair's playing on today's track - not to mention his apparent use of kitchen utensils. Casseroles/More Tuna, from Quatre fois Trois
Taarab comes from the East African coast. It's a heady combination of local and not-so-local (Arabic, Indian) influences, and first caught my ear via a recording issued by the Original Music label. Here are two cuts from that LP.